Subculture to Clubcultures: An Introduction to Popular Cultural Studies by Steve

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aeo Informed by original ethnographic research and oral history into popular music and youth culture. aeo Presents a broad--ranging history from the post--Punk era of the late 70a s through the 80a s to the internationalisation ---- or globalisation ---- of sport and music influenced youth and dance clubcultures of the 1990s.

FORMATPaperback LANGUAGEEnglish CONDITIONBrand New Publisher Description

In Subculture to Clubculture Steve Redhead responds to the separation of 'youth' and 'pop' in the 1980's and the fragmentation of the audience for popular music in the 1990's.

Back Cover

In Subculture to Clubcultures Steve Redhead responds to the separation of "youth" and "pop" in the 1980s and the fragmentation of the audience for popular music in the 1990s, arguing for a redefinition of the conceptual apparatus needed to explain the most recent developments in popular music culture -from the rise of "Clubcultures" to the future of the popular music scene. Coverage includes: the dance pop culture of the 1980s and 1990s; global youth culture as it was dynamized in this period by Garage, House, Electro, Techno and other contemporary dance music forms; the consequences of this for the continued importance of various forms of rock and pop music and a range of theoretical approaches to the economic and cultural condition of the postmodern.

Flap

In Subculture to Clubcultures Steve Redhead responds to the separation of "youth" and "pop" in the 1980s and the fragmentation of the audience for popular music in the 1990s, arguing for a redefinition of the conceptual apparatus needed to explain the most recent developments in popular music culture -from the rise of "Clubcultures" to the future of the popular music scene. Coverage includes: the dance pop culture of the 1980s and 1990s; global youth culture as it was dynamized in this period by Garage, House, Electro, Techno and other contemporary dance music forms; the consequences of this for the continued importance of various forms of rock and pop music and a range of theoretical approaches to the economic and cultural condition of the postmodern.

Author Biography

Steve Redhead is Reader in Law and Popular Culture at the Manchester Metropolitan University. He is Director of the Unit for Law and Popular Culture and Co-Director of the Manchester Institute for Popular Culture at the Manchester Metropolitan University.

Table of Contents

Acknowledgements. Introduction. Part I: Subculture:. 1. The Politics of Football Hooliganism. 2. Keeping Off the Grass. 3. The Soccer War. 4. Thatcher's Boys (Next Door). Part II: Subculture into Clubculture:. 5. The Rehabilitation of Football. 6. The New (Football) Men. 7. Shamble On. 8. What's so Funny 'Bout Peace, Love and Understanding?. 9. The Age of Rock. 10. Down the Tube: Pop on Television. 11. Post-pop. 12. Pop Time, Acid House. 13. Lager Louts and the English Disease. 14. Moynihan Brings Out the Hooligan in Me. 15. Supertifo. Part III: Clubcultures:. 16. Oh Manchester, So Much to Answer For. 17. Licensed to Thrill. 18. The Last Generation?. 19. Clubcultures. 20. Oasis: (What's the Story) Manchester's Glory?. References. Notes. Index.

Long Description

In Subculture to Clubcultures Steve Redhead responds to the separation of "youth" and "pop" in the 1980s and the fragmentation of the audience for popular music in the 1990s, arguing for a redefinition of the conceptual apparatus needed to explain the most recent developments in popular music culture -from the rise of "Clubcultures" to the future of the popular music scene. Coverage includes: the dance pop culture of the 1980s and 1990s; global youth culture as it was dynamized in this period by Garage, House, Electro, Techno and other contemporary dance music forms; the consequences of this for the continued importance of various forms of rock and pop music and a range of theoretical approaches to the economic and cultural condition of the postmodern.

Feature

* Informed by original ethnographic research and oral history into popular music and youth culture. * Presents a broad-ranging history from the post-Punk era of the late 70's through the 80's to the internationalisation -- or globalisation -- of sport and music influenced youth and dance clubcultures of the 1990s. * This history is based on first-hand research and unique archive collections of music, video, fanzines memorabilia and personal interviews. * Supported by suggestions for further reading and a comprehensive discography.

Details ISBN0631197893 Author Steve Redhead Short Title SUBCULTURE TO CLUBCULTURES Language English ISBN-10 0631197893 ISBN-13 9780631197898 Media Book Format Paperback Year 1997 Birth 1952 Residence US Affiliation Manchester Metropolitan University Manchester Metropolitan University, Pages 152 Edition 1st Subtitle An Introduction to Popular Cultural Studies DOI 10.1604/9780631197898 UK Release Date 1997-11-14 AU Release Date 1997-11-14 NZ Release Date 1997-11-14 US Release Date 1997-11-14 Publisher John Wiley and Sons Ltd Publication Date 1997-11-14 Imprint Wiley-Blackwell Place of Publication Hoboken Alternative 9780631197881 DEWEY 306.484 Audience Undergraduate Country of Publication United Kingdom We've got this

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