The Paradoxes of Modernity: Creating Belief through Art, Community, and Ritual b

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Thus arises the second paradox of modernity: the best tools we have for realizing values are those which devalue the individual modern subject.The last part of the book attempts to make three normative points regarding modernity.

FORMATHardcover LANGUAGEEnglish CONDITIONBrand New Publisher Description

A paradox lies at the heart of modernity: the simultaneous demand to create ideas to make us better humans and communities, along with the contrary imperative that we criticize all ideals, especially the ones we have created. In philosophy we see this paradox most acutely in figures like Immanuel Kant, who states that we cannot know the essence of things and yet we must retain old ideas – God, freedom, and the soul – in order to become better and more ethical humans. Or in Friedrich Nietzsche, whose eternal recurrence, a self-created myth whose sole purpose is to get us to see the value in the everyday. This basic scheme – belief and un-belief – is one of the fundamental elements of modernity, manifesting itself in the philosophies of Herbert Marcuse and Michel Foucault, along with the theologies of Blaise Pascal, C.S. Lewis, William James, Sallie McFague, and Philip Clayton.How do we live out the values we know to be constructions? This question holds captiveour ability to solve public goods problems and make our lives more meaningful. Instead of seeing this paradox of modernity as self-deception or bad faith, Zachary Simpson employs cognitive and social scientific research to explain how best to realize values that we know to be false: through art, community, and ritual. In Simpson's account, the values we construct must conform to narrative, be reinforced through community, and habituated through ritual. And yet modernity has also undermined collectivity and ritual. Thus arises the second paradox of modernity: the best tools we have for realizing values are those which devalue the individual modern subject.The last part of the book attempts to make three normative points regarding modernity. First, the modern, individualist subject is insufficient to realize the very values and aspirations of modernity. We must recognize that humans are collective and communal. Second, we cannot simply create values – they must arise in communities and be realized through narrative and ritual. And, third, if we are to live meaningful lives as contemporary meta-ethicists and positive psychologists argue, then such lives must include art, community, and ritual as a way to affirm and reinforce one's values.Let's Pretend is a statement about one of the dilemmas of the contemporary western world and how that dilemma is, and might be, resolved. How do we believe in the values that we know will make a better world, even if they are of our own making? We must do so, in part, by becoming less modern, by engaging with one another and imagining more.The book should serve as both an essay in the history of Western thought as well as a constructive argument about the nature of the modern epoch and what resources we have to realize the central aspirations of modernity. It aims to fill a critical lacuna in theoretical and philosophical approaches to modernity. While most texts focus on either the need for created values or the need to remedy modern subjectivity, few, if any, link the two problems together. Moreover, they do not ground their analyses in the social sciences and contemporary findings regarding the efficacy of narrative, communal action, and rituals.The book is unique, then, because it asks a central question – how do we believe in what we know to be false? – and because it answers this question using interdisciplinary methods that allow us to see the faultlines and paradoxes of our age.

Back Cover

The Paradoxes of Modernity examines one of the central dilemmas of the modern world: How do we believe in ideas that we know to be untrue, but are of practical value? The modern world tells us to be critical and independent. And yet it also proliferates constructed ideas, from gods to ethical ideals to fictions. Using research from anthropology, psychology, religion, and philosophy, the book shows how the path to belief goes through narratives, communities, and rituals. These technologies help us realize belief in an age of unbelief, but they also call into question the central dogmas of modernity itself: the independent, critical, and rational subject. To be modern is to be caught between these two paradoxes: either incapable of believing in ideas we desire, or realizing them at the expense of modernity itself.

Author Biography

Zachary Simpson is Professor of Philosophy and Religious Studies at the University of Science and Arts of Oklahoma, USA.

Table of Contents

Chapter 1: Introduction (with added material on modernity).- Chapter 2: Skepticism and Beyond.- Chapter 3: Noble Lies, Fantasies, and Fictions.- Chapter 4: The Religious Story.- Chapter 5: Modernity and the Temporal Shift.- Chapter 6: A Philosophy of Fictions.- Chapter 7: Art, Narrative, and Commitment.- Chapter 8: Community.- Chapter 9: Ritual.- Chapter 10: The Subject.- Chapter 11: Pretending Our Way to Fulfillment (with added section on myth).- Chapter 12: The Work of Mourning (with further elaboration on religion and myth).

Feature

Offers an interdisciplinary examination of a paradox that lies at the heart of modernity Serves as both an essay in the history of Western thought as well as a constructive argument Asks and answers many questions about our current existence

Details ISBN3030990559 Author Zachary Simpson Short Title The Paradoxes of Modernity Language English Year 2022 ISBN-10 3030990559 ISBN-13 9783030990558 Format Hardcover Publisher Springer Nature Switzerland AG Edition 1st Imprint Springer Nature Switzerland AG Place of Publication Cham Country of Publication Switzerland Pages 238 Publication Date 2022-05-11 UK Release Date 2022-05-11 Illustrations IX, 238 p. Subtitle Creating Belief through Art, Community, and Ritual Edition Description 1st ed. 2022 Alternative 9783030990589 DEWEY 306 Audience Professional & Vocational We've got this

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