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This book brings theory from popular music studies to an examination of identity and agency in youth films while building on, and complementing, film studies literature concerned with genre, identity, and representation.
FORMATHardcover LANGUAGEEnglish CONDITIONBrand New Publisher Description
This book brings theory from popular music studies to an examination of identity and agency in youth films while building on, and complementing, film studies literature concerned with genre, identity, and representation. McNelis includes case studies of Hollywood and independent US youth films that have had commercial and/or critical success to illustrate how films draw on specific discourses surrounding popular music genres to convey ideas about gender, race, ethnicity, sexuality, and other aspects of identity. He develops the concept of 'musical agency', a term he uses to discuss the relationship between film music and character agency, also examining the music characters listen to and discuss, as well as musical performances by the characters themselves
Author Biography
Tim McNelis is University Teacher in the Communication and Media Department at the University of Liverpool, UK
Table of Contents
Introduction: Youth Films, Identity, and Musical Agency Part I: She's a Rebel?: Girls, Guitars, and AgencyIntroduction 1. The Girl Can't Have It: Restricted Musical Agency in 10 Things I Hate About You and Love Don't Cost a Thing2. Queer Agency and Reappropriation of the "Technophallus" in All Over Me 3. Silent Punk and Audible Folk: Musical Sleight-of-Hand in Juno Part II: Listening to the Other: Cultural Borrowing and Critical Reflection Introduction 4. Consumption, Authenticity, and Identity Experimentation in Ghost World5. "I didn't move to Bosnia": Critical Cultural Immersion in Save the Last Dance 6. Cheerleaders, Bullies, and Nerds: Intersections of White Stereotypes and Black Music in Bring it On, Mean Creek, and Napoleon Dynamite Part III: Unheard Ethnicities: Musical Construction of Ethnic Identity and AgencyIntroduction 7. 'Old World' Ethnicity, Hybrid Identity, and 'New World' Agency in Real Women Have Curves 8. "Neighbourhood is sure changing, isn't it?": Evolving Traditions and Complex Identities in Quinceañera9. Reimagining the All-American Teenager: Inaudible Ethnicity and Agency from the Margins in Better Luck TomorrowConclusion: The Continuing Relevance of Film Music to Identity and Agency
Details ISBN1138946915 Author Tim McNelis Short Title US YOUTH FILMS & POPULAR MUSIC Series Routledge Advances in Film Studies Language English ISBN-10 1138946915 ISBN-13 9781138946910 Media Book Format Hardcover Imprint Routledge Subtitle Identity, Genre, and Musical Agency Place of Publication London Country of Publication United Kingdom Year 2017 DEWEY 791.43750835 Affiliation Falmouth University, UK Illustrations 20 Halftones, black and white; 20 Illustrations, black and white AU Release Date 2017-05-11 NZ Release Date 2017-05-11 UK Release Date 2017-05-11 Publication Date 2017-05-11 Pages 198 Publisher Taylor & Francis Ltd Alternative 9780367874933 Audience Tertiary & Higher Education We've got this
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