Writing the Black Decade: Conflict and Criticism in Francophone Algerian Literat

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This book analyses the work of writers, journalists, and academic critics producing work during and since the end of the Algerian Civil War, arguing that literature-and ideas we have about it-can restrain our understanding of the world at a time of conflict and further entrenc...

FORMATPaperback LANGUAGEEnglish CONDITIONBrand New Publisher Description

Writing the Black Decade: Conflict and Criticism in Francophone Algerian Literature examines how literature—and the way we read, classify, and critique literature—impacts our understanding of the world at a time of conflict. Using the bitterly-contested Algerian Civil War as a case study, Joseph Ford argues that, while literature is frequently understood as an illuminating and emancipatory tool, it can, in fact, restrain our understanding of the world during a time of crisis and further entrench the polarized discourses that lead to conflict in the first place. Ford demonstrates how Francophone Algerian literature, along with the cultural and academic criticism that has surrounded it, has mobilized visions of Algeria over the past thirty years that often belie the complex and multi-layered realities of power, resistance, and conflict in the region. Scholars of literature, history, Francophone studies, and international relations will find this book particularly useful.

Author Biography

Joseph Ford is lecturer in French studies at the Institute of Modern Languages Research, School of Advanced Study, University of London.

Table of Contents

AcknowledgmentsIntroduction: Writing the Black DecadeChapter 1: Rethinking Testimonial Literature in Rachid Mimouni, Assia Djebar and Maïssa BeyChapter 2: Exploring Complicity in Salim BachiChapter 3: Beyond a Grotesque Aesthetics of the Black Decade in Habib AyyoubChapter 4: Specters of the Black Decade in Kamel Daoud's Meursault, contre-enquêteChapter 5: Deconstructing Oppositional Criticism in Mustapha Benfodil's Archéologie du chaos [amoureux]Conclusion: Beyond the Language of Crisis and ConflictBibliographyAbout the Author

Review

Ford assesses the focus of Algerian writers, artists, and journalists' focus on the events of Algeria's Black Decade (1990s) in their literary and journalistic narratives. He argues that particular authors relied on familiar—recidivist—tropes of Algerian violence inherited from the 1954–62 Algerian War of Independence, mirroring the headlines in the French press. Ford proposes the tropes were appropriated in three ways: some gathered literary accounts rooted in oppositional rendering (Rachid Mimouni, Assia Djebar, and Maïssa Bey [Samia Benameur]); others (Salim Bachi and Habib Ayyoub) inserted their testimonials in allegorical or mythical frameworks…. In dialogue with Valérie Orlando's The Algerian New Novel and Jane Hiddleston's Writing after Postcolonialism, this informative work problematizes the position of writers facing national tragedy. Recommended. Upper-division undergraduates through faculty. * Choice *This is undoubtedly a thorough and well-argued book, which offers an important source for those interested in contemporary Algerian literature, and Algerian culture more broadly. * Modern Language Review *Writing the Black Decade is a lively and incisive analysis of francophone literature focused on Algeria's civil war of the 1990s. Ford's approach is refreshing and original in that it both offers nuanced analysis of a range of important works not generally well-known to anglophone audiences and probes the effects of the media debates to which they have given rise. While attentive to the subtleties of the works under scrutiny, Ford astutely points out the ways in which literature too can contribute to the binary and conflictual structures they set out to criticise. This study makes a highly significant intervention at once into the study of Algerian literature and into debates on the politics of literary criticism. -- Jane Hiddleston, Professor of Literatures in French, University of OxfordThis welcome book is a prompt to think more deeply and with greater nuance about literary representations of Algeria's 'Black Decade'. Ford asks a fundamental question about how to understand literature in a time of conflict and he responds with an assured and necessary corrective to the celebration of literature as a form of emancipation. Deftly, and through a range of compelling readings, Ford argues that much Algerian literature written in French distorted or obscured the messy realities that were at play. And yet Ford refuses a simple binary concluding that while literary works in Algeria have been shaped by their material conditions of production and reception, they have also contributed to shaping ideas that circulate within Algeria and its broader transnational public sphere. Ford makes a fresh contribution to an important debate and his book will be a key reference for scholars working on Francophone Algerian literature since 1988. -- Patrick Crowley, Head of School of Languages, Literatures and Cultures, University College Cork

Long Description

Writing the Black Decade: Conflict and Criticism in Francophone Algerian Literature examines how literature-and the way we read, classify, and critique literature-impacts our understanding of the world at a time of conflict. Using the bitterly-contested Algerian Civil War as a case study, Joseph Ford argues that, while literature is frequently understood as an illuminating and emancipatory tool, it can, in fact, restrain our understanding of the world during a time of crisis and further entrench the polarized discourses that lead to conflict in the first place. Ford demonstrates how Francophone Algerian literature, along with the cultural and academic criticism that has surrounded it, has mobilized visions of Algeria over the past thirty years that often belie the complex and multi-layered realities of power, resistance, and conflict in the region. Scholars of literature, history, Francophone studies, and international relations will find this book particularly useful.

Review Text

Ford assesses the focus of Algerian writers, artists, and journalists' focus on the events of Algeria's Black Decade (1990s) in their literary and journalistic narratives. He argues that particular authors relied on familiar-recidivist-tropes of Algerian violence inherited from the 1954-62 Algerian War of Independence, mirroring the headlines in the French press. Ford proposes the tropes were appropriated in three ways: some gathered literary accounts rooted in oppositional rendering (Rachid Mimouni, Assia Djebar, and Maissa Bey [Samia Benameur]); others (Salim Bachi and Habib Ayyoub) inserted their testimonials in allegorical or mythical frameworks.... In dialogue with Valerie Orlando's The Algerian New Novel and Jane Hiddleston's Writing after Postcolonialism, this informative work problematizes the position of writers facing national tragedy. Recommended. Upper-division undergraduates through faculty. * Choice * This is undoubtedly a thorough and well-argued book, which offers an important source for those interested in contemporary Algerian literature, and Algerian culture more broadly. * Modern Language Review * Writing the Black Decade is a lively and incisive analysis of francophone literature focused on Algeria's civil war of the 1990s. Ford's approach is refreshing and original in that it both offers nuanced analysis of a range of important works not generally well-known to anglophone audiences and probes the effects of the media debates to which they have given rise. While attentive to the subtleties of the works under scrutiny, Ford astutely points out the ways in which literature too can contribute to the binary and conflictual structures they set out to criticise. This study makes a highly significant intervention at once into the study of Algerian literature and into debates on the politics of literary criticism. -- Jane Hiddleston, Professor of Literatures in French, University of Oxford This welcome book is a prompt to think more deeply and with greater nuance about literary representations of Algeria's 'Black Decade'. Ford asks a fundamental question about how to understand literature in a time of conflict and he responds with an assured and necessary corrective to the celebration of literature as a form of emancipation. Deftly, and through a range of compelling readings, Ford argues that much Algerian literature written in French distorted or obscured the messy realities that were at play. And yet Ford refuses a simple binary concluding that while literary works in Algeria have been shaped by their material conditions of production and reception, they have also contributed to shaping ideas that circulate within Algeria and its broader transnational public sphere. Ford makes a fresh contribution to an important debate and his book will be a key reference for scholars working on Francophone Algerian literature since 1988. -- Patrick Crowley, Head of School of Languages, Literatures and Cultures, University College Cork

Review Quote

Writing the Black Decade is a lively and incisive analysis of francophone literature focused on Algeria's civil war of the 1990s. Ford's approach is refreshing and original in that it both offers nuanced analysis of a range of important works not generally well-known to anglophone audiences and probes the effects of the media debates to which they have given rise. While attentive to the subtleties of the works under scrutiny, Ford astutely points out the ways in which literature too can contribute to the binary and conflictual structures they set out to criticise. This study makes a highly significant intervention at once into the study of Algerian literature and into debates on the politics of literary criticism.

Details ISBN1498581889 Author Joseph Ford Short Title Writing the Black Decade Pages 178 Language English Year 2022 ISBN-10 1498581889 ISBN-13 9781498581882 Format Paperback Publication Date 2022-09-15 Subtitle Conflict and Criticism in Francophone Algerian Literature DEWEY 840.9965 Publisher Lexington Books Series After the Empire: The Francophone World and Postcolonial France Imprint Lexington Books Place of Publication Lanham, MD Country of Publication United States NZ Release Date 2022-09-15 US Release Date 2022-09-15 UK Release Date 2022-09-15 Alternative 9781498581868 Audience Professional & Vocational AU Release Date 2022-08-17 We've got this

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